Rogério Sganzerla

    Known For

    Directing

    Birthday

    November 26, 1946

    Day of Death

    January 9, 2004 (57 years old)

    Place of Birth

    Joaçaba, Santa Catarina, Brazil

    Rogério Sganzerla

    Biography

    Rogério Sganzerla (1946 — 2004) was a Brazilian filmmaker and one of the main names of the Cinema de Invenção (or Cinema Marginal) underground movement. Influenced by Orson Welles, Jean-Luc Godard, and José Mojica Marins, Sganzerla often used clichés from film noir and pornochanchadas. Irony, narrative subversion and collage were trademarks of his film aesthetics. Sganzerla was born in Joaçaba, in the state of Santa Catarina, but moved with his family to São Paulo at a very young age, living there for most of his life. During the 1960s he wrote for the newspaper "O Estado de S. Paulo" ("The State of S. Paulo") as film critic, quickly being recognised as a young talent. In 1967, Sganzerla directed his first short film, "Documentário" ("Documentary"), winning an award at the JB-Mesbla 16mm Festival. "Documentário" was quickly followed up by his first feature-length film in 1968, "O Bandido da Luz Vermelha" ("The Red Light Bandit"), which became a landmark for the movement known as Cinema de Invenção or Cinema Marginal and is still Sganzerla's most well-known film. In 1970, he founded the "Bel-Air Filmes" production company along with fellow Cinema de Invenção filmmaker Júlio Bressane. Headed by Sganzerla, the company produced his films "Copacabana Mon Amour", "Carnaval na Lama" and "Sem Essa, Aranha" and Bressane's "A Família do Barulho", "Barão Olavo, o Horrível" and "Cuidado, Madame", all shot in Brazil during four months of 1970 and edited abroad, in England, when both Sganzerla and Bressane were banished from their home country by the then rulling military dictatorship. While in exile, both Sganzerla and Bressane continued to shoot new films. Sganzerla's personal obsessions, such as director Orson Welles (and his infamous visit to Brazil) and musicians Noel Rosa and Jimi Hendrix, appear in many of his films, going as far as being the main subject in some of them. In 1985, Sganzerla directed the docufiction "Nem Tudo É Verdade" ("It's Not All True") about Orson Welles' arrival in Brazil to film his unfinished documentary "It's All True". Sganzerla died in 2004, of a brain tumor, shortly after finishing his last film "O Signo do Caos" ("The Sign of Chaos"). Description above from the Wikipedia article Rogério Sganzerla licensed under CC-BY-SA, full list of contributors on Wikipedia.

    Known For

    • The Red Light Bandit

      The Red Light Bandit

      1968

    • The Woman of Everyone

      The Woman of Everyone

      1969

    • Copacabana Mon Amour

      Copacabana Mon Amour

      1970

    • No Way, Spider

      No Way, Spider

      1970

    • The Sign of Chaos

      The Sign of Chaos

      2003

    • Garden of War

      Garden of War

      1969

    • The Monsters of Babaloo

      The Monsters of Babaloo

      1970

    • Documentário

      Documentário

      1966

    • Brasil

      Brasil

      1981

    • Eye for an Eye

      Eye for an Eye

      1966

    • It's Not All True

      It's Not All True

      1986

    • Baron Olavo, The Horrible

      Baron Olavo, The Horrible

      1969

    • Light in Darkness: The Return of Red Light Bandit

      Light in Darkness: The Return of Red Light Bandit

      2012

    • Watch Out, Madame

      Watch Out, Madame

      1970

    • It's All Brazil

      It's All Brazil

      1997